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NEW QUESTION: 1
Victorian poetess Christina Rossetti's potent sensual imagery compelled Edmond Gosse, perhaps the
most influential literary critic in late Victorian England, to observe that she "does not shrink from strong
delineation of the pleasures of life even when denouncing them." In the face of Rossetti's virtual
canonization by critics at the end of the nineteenth century, however, Virginia Woolf ignores her apparent
conservatism, instead seeing in her curiosity value and a model of artistic purity and integrity for women
writers. In 1930, the centenary of Rossetti's birth,Woolf identified her as "one of Shakespeare's more
recent sisters" whose life had been reclusively Victorian but whose achievement as an artist was enduring.
Woolf remembers Rossetti for her four volumes of explosively original poems loaded with vivid images
and dense emotional energy. "A Birthday," for instance, is no typical Victorian poem and is certainly unlike
predictable works of the era's best known women poets. Rossetti's most famous poem, "Goblin Market,"
bridges the space between simplistic fairy tale and complex adult allegory-at once Christian,
psychological, and profeminist. Like many of Rossetti's works, it is extraordinarily original and unorthodox
in form. Its subject matter is radical and therefore risky for a Victorian poetess because it implies
castigation of an economic (and even marital) marketplace dominated by men, whose motives are, at best,
suspect. Its Christian allusions are obvious but grounded in opulent images whose lushness borders on
the erotic. From Rossetti's work emerge not only emotional force, artistic polish, frequently ironic
playfulness, and intellectual vigor but also an intriguing, enigmatic quality. "Winter: My Secret," for
example, combines these traits along with a very high (and un-Victorian) level of poetic selfconsciousness.
"How does one reconcile the aesthetic sensuality of Rossetti's poetry with her repressed, ascetic
lifestyle?" Woolf wondered. That Rossetti did indeed withhold a "secret" both from those intimate with her
and from posterity is Lona Packer's thesis in her 1963 biography of Rossetti. Packer's claim that
Rossetti's was a secret of the heart has since been disproved through the discovery of hundreds of letters
by Rossetti, which reinforce the conventional image of her as pious, scrupulously abstinent, and
semi-reclusive. Yet the passions expressed in her love poems do expose the "secret" at the heart of both
Rossetti's life and art: a willingness to forego worldly pleasures in favor of an aestheticized Christian
version of transcendent fulfillment in heaven. Her sonnet "The World," therefore, becomes pivotal in
understanding Rossetti's literary project as a whole-her rhymes for children, fairy tale narratives, love
poems, and devotional commentaries. The world, for Rossetti, is a fallen place. Her work is pervasively
designed to force upon readers this inescapable Christian truth. The beauty of her poetry must be seen
therefore as an artistic strategy, a means toward a moral end.
The passage mentions all of the following as qualities that emerge from Rossetti's work EXCEPT for
A. ironic playfulness
B. stark realism
C. lush imagery
D. unorthodox form
E. intellectual vigor
Answer: B
Explanation:
In describing Rossetti's work, the author never uses the words "stark" or "realism," nor does the author
describe her work in any way that might be expressed by either of these terms. Choices (A), (B), andE.are
all mentioned explicitly in the second paragraph (lines 42-49) as qualities that emerge from Rossetti's
work. As for choice (D), the author refers to the form of Rossetti's works in reference specifically to
"Goblin Market," claiming that in its unorthodox form "Goblin Market" is like many of Rossetti's works. In
this way, the author identifies "unorthodox form" as one quality that emerges from Rossetti's work.

NEW QUESTION: 2

A. Option G
B. Option E
C. Option C
D. Option B
E. Option D
F. Option F
G. Option A
Answer: C,F
Explanation:
Neighboring APs offering the same connection type and parameters use the same name, or service set identifier (SSID, which is a simple ASCII string providing a name to the connection). Neighboring APs offering the same connection use the same SSID, but each AP identifies itself by associating its radio MAC address to the SSID string. This associated MAC address is called the basic service set identifier (BSSID), and it enables stations to know which AP offers which SSID

NEW QUESTION: 3
Which of the following issues is not addressed by digital signatures?
A. authentication
B. nonrepudiation
C. data integrity
D. denial-of-service
Answer: D
Explanation:
Explanation/Reference:
A digital signature directly addresses both confidentiality and integrity of the CIA triad. It does not directly address availability, which is what denial-of-service attacks.
The other answers are not correct because:
"nonrepudiation" is not correct because a digital signature can provide for nonrepudiation.
"authentication" is not correct because a digital signature can be used as an authentication mechanism
"data integrity" is not correct because a digital signature does verify data integrity (as part of nonrepudiation)
References:
Official ISC2 Guide page: 227 & 265
All in One Third Edition page: 648

NEW QUESTION: 4
In Data ONTAP 7.3, what is a portset bound to?
A. a LUN
B. an igroup
C. a volume
D. a WWPN
Answer: B
Explanation:
Reference:http://www-01.ibm.com/support/docview.wss?uid=ssg1S7002705&aid=1(page 57)